Sweet Dreams: Two Poems

 

Home sweet home/meethay ghar, digital photo print on archival hahnemühle satin rag paper, 8.27 x 11.69 inches, Oslo, 2022

 

Recipe number 1

 

I dream in green 

I dream in white

I dream in pink 

I dream in light 

Cut in diamonds, slim and thin 

     Full of color, geometric skin 

 

Soaked

 in

s u g a r

cubes of white

 

Deep fried 

sugary delight

 

Spices blooming in hot oil

Round orange sticky coils 

 

Sticky like chashni

 

Boiled and reduced

Broken and separated 

 

dreams from reality

 

Not solid, 

Liquid

long strings of crystal, 

Crystallising until it hardens, 

Hardens so hard, it shatters,

Shatters, into powdered sliver of white  

 

So keep reducing it down,  

Slow and patient,

Until it rises

and spills over the pan, 

Until it thickens, 

And sticks to the pan …

Until it reduces 

and is no longer white, 

until there is nothing 

but brown, rich and plenty 

 

Brick by brick, collage series of 4, digital photo print, hand collaged on archival hahnemühle satin rag paper and millimeter paper,

mounted on aluminum sheet, 8.27 x 11.69 inches each, Oslo, 2022.

 

Brick by Brick

 

Buildings,  typically housings

building BLOCKS, 

building homes

brick    by       brick

like a ton of bricks, 

with crushing weight, 

buried under bricks and mortar

 

The Mansion of my dream, hand collaged on sticker sheet with paperclips, Kharian and Oslo, 2022

 

Sarah Kazmi, based between Oslo and Karachi, is an interdisciplinary artist and a writer whose artistic practice moves across research and visual production, observing the relationship between food, language and politics. She works with the medium of writing where her texts are visual, rhythmic and performative; often conveyed through a variety of disciplines, which includes sound pieces, photos, video, installations and performance. Projects she is currently working towards are an exhibition titled “Cooking time?” together with a collection of poems titled “et bilde i et bilde” (a picture within a picture) to be published in 2024.

Alongside her artistic practice, Kazmi does policy advocacy for Verdensrommet; an artist-powered mutual support network by/for immigrant artists based in Norway. They work at the intersection of immigration, labor and mutual aid, encouraging new imaginations of the future of cultural work. 

Kazmi graduated with an MFA in Art and Public Space from Oslo National Academy of the Arts. She has also served on the editorial board for HUMAN International Documentary Film Festival from 2021-2022.